He wanted to be caught. He wanted to be seen. In the profound sense. And then, when seen, dark parts and all, not rejected. You know: Just like Tate. Ben is seen en medias masturbatorious , but not by the woman he loves. A second after finishing, Ben spots a man outside the window, hiding among the linens hanging on the line. So: Immaculate conception?
Ben barrels downstairs and looks for the bogeyman amid the billowing white sheets. The man is gone. Was he ever there? Am I losing my mind? Self-control: slipping. Another Thursday, cleaning day: Moira Junior enters his study. He wants her to leave. He never asks. She dusts. She flirts. She tells him she saw him watching her touch herself. She unsnaps a garter. Straddles him. You know you want it. At the door. But she sees Moira the elder, not Moira the younger. The image makes Ben look exactly as weak and desperate and helpless as he must feel, and it fills Violet with same feeling that her mother must have felt one year earlier: Totally betrayed.
She runs. And we handled it even more horribly. Another painting seems to show a priest with a crucifix doing battle with a vampire-like demon. All art and myths are just creations to give us control over the things that scare us.
A fear of dying — create reincarnation. A fear of evil— create a benevolent God that sends evildoers to hell. Some want to have undemanding, easygoing fun. Others want to ridiculously over-think it and produce word recaps about it. At least this week they do. The fight begins when Ben once again makes a move on his wife. He finds Vivien so attractive sweaty and unkept. He digs her hot-mess. She just feels old. She rejects him. Ben blows up. He defends himself in various, self-serving ways, and he finally lets loose the anger he never shared in therapy.
He lands a low blow by accusing her of replacing him with the dog. Which is true, but still. Ben begins to win the day when he reminds her of when they last had sex. To the point. Of everything. This place is our second chance. I just have to know that you want it, too. The another. Then she attacks him with a kiss. They fall to the floor. American Horror Story says that true intimacy means running the risk of looking like and maybe even acting like monsters toward each other.
Here, at least, the result seems positive. Violet returns home from her rumble with the mean girls at school with a cut above her eye. Violet asks her mom why she and her father never divorced. I guess we need each other. Life will do that to you. I want to kill her! Violet: mad as hell and not going to take it anymore. Or not. Regardless: Time to take the offensive.
Of course, Violet is no murderer. Make her afraid of you. Who to play the role of bogeyman? The Rubber Man. The Rubber Man says nothing. As they start having sex, we get a shot that shows us the pills her doctor pushed on her a year ago — the experimental hormone treatment, designed to regenerate her womanhood, yet with unpredictable side effects.
She had initially dismissed the treatment as unnatural; she wanted organic healing, on her own timetable. Am I ready for this? Are we ready for this? Is this natural? Is this right? Can I trust this man? Because as The Rubber Man and Vivien are upstairs, Ben is sleepwalking through his kitchen and turning on oven burners and thinking about setting himself ablaze.
What if she rejects me? Enter trespassing Constance to save him. Enjoy the house. Go back to bed. And maybe it was. She clearly has an agenda. But her choice of words makes me doubt — for now — that the house itself is facilitating this madness. Enjoy the house , she said. Tate overhears Violet's father planning to send her away, as she has been extremely depressed and not attending school as of late.
Tate knows that ghosts cannot leave the premises and will eventually realize that she died when she attempts to leave. He decides that the best way for Violet to cope with being a ghost is if she makes the decision to die herself. Tate suggests that Violet should overdose on pills so she could be with him forever, "like Romeo and Juliet.
After various attempts to leave the house, she is dismayed to realize that each time she leaves, she comes right back into the house somehow. Tate then tells a confused and hopeless Violet that he needs to show her something, and he leads her beneath the house into a crawl space, where her rotting body has been hidden.
Violet becomes overcome with sadness when she finds out that she is dead, and Tate tries comforting her by saying that although she died crying, she died safe and loved. Nora Montgomery wants a new baby because her own child had been turned into the Infantata. Tate has guaranteed that he will give her one. Although he failed with the house's former owners, Tate was able to trick Vivien Harmon into thinking he was her husband.
He raped and impregnated her. Nora later asks for her baby, but Tate refuses because he is now in love with Violet.
He says that he can't give Nora the baby, because the baby is Violet's brother. Nora is insistent and she informs Tate that she will still take the child for herself. Chad tells Violet that Tate is the father of one of her younger siblings and that he had raped her mother.
Violet immediately confronted Tate, asking about all of the horrible things he had done. She tells him that she thought he was like her, attracted to the darkness.
She says that she has since worked out that Tate is the darkness itself. Violet says that she loves him, but that she cannot forgive him. Violet tells him to go away. Tate is overwrought and begins shouting "You're all I want! You're all I have! However, Violet continues to tell him to go away and he disappears.
Tate is with Hayden as they watch the deceased Harmon family setting up a Christmas tree. A contended Violet's smile falters upon meeting eyes with Tate. Hayden tells Tate to give up, but he says that he will wait forever for Violet to forgive him if he has to.
Tate is having a session with Ben. He's trying to get Ben to talk to Violet for him when Madison and Behold walk in. Tate gets upset because they are supposed to be the ones to decide who gets to see them.
Madison says that they're just here to get some information on Michael Langdon. Tate warns them that even people with magic aren't safe in this house as he walks away.
He's referred to later by Constance, in a recount of Micheal's origins and her eventual choosing to die in the Murder House, who admits that Tate's anger towards her may have mollified; as she recalled waking to see all of her three children present following her suicide, him included. When Michael used to live at Murder House, Tate caught him looking through his things. Michael tells him that he just wants to be like his father. Tate refused to believe that he's Michael's father.
That even he couldn't have created something so evil. Later, Vivien tried to kill Michael but Michael set her on fire. Tate saved her from the fire.
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