The Ghana-based photographer discusses the challenges of being a female photographer in Africa and why she hopes her images inspire others to see the value in creative jobs. We look at how graphic design and illustration brought the movie to life. Daniel Kleinman has been the creative mind behind almost every title sequence since the 90s. The photographer switched his focus from the hip-hop scene to the Black Lives Matter movement last year in the wake of the murder of George Floyd.
Interest in home improvement exploded in the wake of the pandemic. In the competitive world of illustration, adopting a signature motif or icon in your work can help you grow your brand and your career. Here, CR speaks to three illustrators about the benefits and challenges of making one element your trademark. The posters feature bold illustrations and photography and also reveal a refreshed design identity for the trademark Coke logo. Last week a revamp, albeit a temporary one, of the British Rail double arrow logo caused a stir in the design press and on social media.
CR speaks to Studio Blackburn, the team behind the update, to get an insight into the project and how they felt about the reaction.
Snack brand Pringles has revealed the first update to its mascot in 20 years. Mark Hauser, applied behavioural scientist at branding agency The Team, discusses how psychology could create more effective, human-centred creative work. Logos, exhibition design and book covers can often seem like the zenith of graphic design.
Do reports, documents and catalogues get overlooked by comparison? Lil Nas X is ripping up the music rulebook with his rap-country-pop sound, gender-bending style and eye-catching creative output.
As he releases his debut album, we look at how the artist brings his unique vision to life. The artist, photographer, designer and director talks to CR about working at speed, the joy of not being confined by one discipline, how he balances the commercial with the personal, and why his spirit animal is a cross between a chameleon and a dung beetle.
Brands with big or cult-like followings have both power and community. Creative Review speaks to three brand experts about how they cultivate followers and maintain their flock. Working in the creative industries inevitably involves rejection and doubt. But those are also the elements that can lead to greatness, writes Richard Holman. Aimed at four-five year-olds and focused on areas of the UK that have been particularly affected by the pandemic, Squirrels is the first new Scouts programme for 35 years.
In the fight to gain attention for charities and grassroots causes, design and creative thinking is more important than ever. Here, we look at how creativity can engage people in causes and galvanise wider audiences. As a new book by Jeremy Myerson celebrates the inclusive design work of the Helen Hamlyn Centre, Patrick Burgoyne talks to him about what has changed in the past three decades.
A new book brings the images together for the first time. The photographer speaks to CR about how she aligns her photography with her values, which sees her explore themes of female identity, social injustice and power. Following a recent rebrand and change of focus for her design business, Laura Jane Boast discusses how she lost and then re-discovered the connection with her own studio.
Persuasion Communications founder Jane Austin discusses what it takes to recover from a PR crisis — and how brands can avoid bumbling into one in the first place. Their biggest investment? The best black and white photocopier money could buy. This was a practice built on experimentation and collaboration — with light and shadow, with technology, with materials, and often with photographer Rocco Redondo.
This attitude is suggested by the studio name itself. Thirty years later, the studio now run by Altmann and Ellis after Greenhalgh left in to pursue a directing career remains as committed as ever to this love of making and doing. Perhaps its most high-profile project to date, the Comedy Carpet collaboration with artist Gordon Young, required , letters to be made out of 30mm solid granite and cast into hundreds of concrete panels.
A former fish processing factory in Hull was converted by Young into a bespoke factory in order to handle the volume of work required. There was cutting and fettling, curing, grinding and polishing.
It was public art as heavy industry — or heavy industry as public art. For Why Not, such a process is often as interesting as its result. The show runs until December Details here. As the Modernist celebrates its 10th anniversary, the team behind the publication discuss the trials and tribulations of running an indie mag and how it has stood the test of time. Advertising has long been obsessed with youth.
But is the industry finally waking up to the opportunities that older generations present, both in campaigns and behind the scenes? Is there a responsibility for cultural institutions to not just reflect the past, but contemplate the future as well? AI is often viewed as the death of creativity. Yet, as Maximilian Niemann, a director at Unit9 production company, points out, when machines are used in collaboration with humans, it may actually make for better work.
Focusing on an unlikely friendship that forms between a young boy and his new intergalactic companion, the spot is all about the little things that matter during the festive season. Since the s, the filmmaker and artist has turned his lens towards the fringes.
He talks to us about relinquishing control, Hollywood reboot culture, and how a Gucci mini-series captured the spirit of his early works. For decades, comic books have showcased vibrant graphic design that is a pivotal part of the superhero world. The Ghana-based photographer discusses the challenges of being a female photographer in Africa and why she hopes her images inspire others to see the value in creative jobs. We look at how graphic design and illustration brought the movie to life.
Daniel Kleinman has been the creative mind behind almost every title sequence since the 90s. The photographer switched his focus from the hip-hop scene to the Black Lives Matter movement last year in the wake of the murder of George Floyd.
Interest in home improvement exploded in the wake of the pandemic. In the competitive world of illustration, adopting a signature motif or icon in your work can help you grow your brand and your career.
Here, CR speaks to three illustrators about the benefits and challenges of making one element your trademark. The posters feature bold illustrations and photography and also reveal a refreshed design identity for the trademark Coke logo. Last week a revamp, albeit a temporary one, of the British Rail double arrow logo caused a stir in the design press and on social media.
CR speaks to Studio Blackburn, the team behind the update, to get an insight into the project and how they felt about the reaction. Snack brand Pringles has revealed the first update to its mascot in 20 years. Mark Hauser, applied behavioural scientist at branding agency The Team, discusses how psychology could create more effective, human-centred creative work.
Logos, exhibition design and book covers can often seem like the zenith of graphic design.
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